So picture this. This room, right, is wood paneled, but not
just that. Wood floors, wood ceilings; a place where you wouldn’t want to light
a fire, in other words, even if it weren’t for the barrels of gunpowder beneath
the floorboards.
But then again, at this moment, every bit of wood is choked through
and through with salt-water, and it’s all been soaking so long that, maybe, you
could never set it on fire if you tried.
It’s plenty quiet here, sure, but there are some signs of
life. The repetitive motion of the room as the ship lists back and forth, the
first mate’s book still open to a page that is blurred by all the sea air, but
still preserved enough to show the beginning of a sketch of the ship’s ratter, an
outline of shoulders and ears and some teeth. The captain’s table in the corner
is set for what was clearly a feast, although all that’s left is some odd bones
and scraps.
This room might be better defined by what is missing,
though, as the crew is nowhere to be found. The things they left behind, the
lifeboats, the food stores, the weapons, the captains log, are all untouched,
and hold no apparent clues to the disappearance. Not that it matters much. The
ship is ancient; whether the crew lived, or died, they’re all certainly gone by
now. Their fate is even more conspicuously absent than they are. One hundred
years later, we might never find out what happened to them, or why they
abandoned the ship. At this point, they’re not much more a half-told ghost
story, part of a joke with a long set up but no punchline, an inchoate draft of
a cheesy mystery novel that will never have an ending, as much as you might
want to dream one up.
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